Paragon Kilns UK Distributor. Paragon Kilns On-Line Shop and Support Centre.
the paragon ht heat-treating ovens smaller kilns at electrickilns.co.uk or tumblers at electrictumblers.co.uk
kilns
more kilns
support
clays
materials
tools
extras
contact:sales
Paragon HT10 Heat Treating And Glass Oven With A Sentry Digital Programmer. Paragon HT14 Heat Treating And Glass Kiln With A Sentry Digital Programmer. Paragon HT22 Heat Treating And Glass Furnace With A Sentry Digital Controller.
Paragon HT10D Heat Treating Kiln
Paragon HD22D Heat Treating Furnace

Paragon HT Furnaces For Heat-Treating, Tool-Making, Lampwork, And Annealing, Casting, Fusing, Sagging, And Slumping Glass.

Paragon HT kilns are generally used for heat-treating, making knives and tools, and general glass work, although they have other applications. They're 1095°C ovens with digital programmers, in Paragon blue or customised berry, black, jade, navy, pink, purple, or turquoise. Learn about Paragon HT kilns on this page.

There are three: the HT10D, HT14D, and HT22D, in ascending order of firing chamber depth, the number being the approximate depth of the firing chamber in inches: more accurately 9.0, 13.5, and 21.0.

The Sentry 12-key programmer can be upraded to a Sentinel Touch Screen. Both have advanced and time-saving features, including optional automatic control over an electric kiln vent, a gas injection system, and a USB computer interface.


Prices here are transparent: they're for UK-EU voltage, CE marked, CL CSA approved, and TUV tested kilns, and include comprehensive instructions, a heat-treating guide, UK VAT, and free continuing support from a top-tier international distributor. So you can start work straight away.

For prices, trading terms, and secure on-line shopping, use the shop link near the top-right of any page. The order form is after the price list, near the bottom.

Kilns over 30kg can't be delivered by a regular parcel-service van: they need a lorry with a tail-lift and a hydraulic pallet trolley. GB-mainland delivery charges are on the shop page. For locations outside this area, call or mail.

Paragon HT10 Heat Treating And Glass Oven With A Sentry Digital Programmer. Paragon HT14 Heat Treating And Glass Kiln With A Sentry Digital Programmer.
Paragon HT10 Heat-Treating Kiln. Paragon HT14 Heat-Treating Oven.
Paragon HT22 Heat Treating And Glass Furnace With A Sentry Digital Controller. Orton-Paragon Sentry Digital Controller.
Paragon HT22 Heat-Treating Furnace. Paragon Sentry Digital Programmer.
THE PARAGON HT KILNS: A GENERAL INTRODUCTION HEAT TREATING, MAKING KNIVES, AND GLASS WORK

Paragon HT Furnaces For Heat-Treating, Tool-Making, Lampwork, And Annealing, Casting, Fusing, Sagging, And Slumping Glass.

Paragon HT kilns are 1095°C, rectangular, front-opening, table-top. firebrick kilns, with ramp-hold Sentry 12-key digital programmers. Choose Paragon blue or customised berry, black, jade, navy, pink, purple, or turquoise. Customised kilns are made to order so can't be returned if the colour isn't as in the photo.

There are three: the HT10D, HT14D, and HT22D, in ascending order of firing chamber depth, the number being the approximate depth of the firing chamber in inches: more accurately 9.0, 13.5, and 21.0.

The Sentry 12-key programmer can be upraded to a Sentinel Touch Screen. Both have advanced and time-saving features, including optional automatic control over an electric kiln vent, a gas injection system, and a USB computer interface.

They're ideal for your arts centre, college, course venue, shared craft units, dental lab, engineering works, glass works, knife studio, machine shop, medical laboratory, metal-work business, technical facility, or university.


HT kilns are very versatile:

When the programmer turns the elements off at, for example, 700°C, residual heat will continue to increase the temperature briefly. A small kiln might overshoot to 715°C before dropping back down. A software modification slows down the heating just before the target temperature, reducing any overshoot and improving the accuracy.

Nickel-chromium K-type thermocouples respond quickly to temperature changes and resist corrosion. However, for high-temperature precision professional use, these can be upgraded to platinum-rhodium S-types.

For heat-treating they don't need a shelf kit. However, to work with glass and low-fire ceramics there are several durable substantial shelf kits in the on-line shop: never fire things directly on the floor of the firing chamber.


Use them for heat treating, hardening, and tempering blades, cutters, dies, and tools, annealing glass, painting china, applying decals, dichroic glasses, enamelling, fire polishing, glass art, glass casting, fusing, sagging, and slumping, forming glass panels, knife making, laboratory testing, lampwork, lost-wax casting, low-fire ceramics, making jewellery, firing bronze and copper metal clays, moulding gun and model parts, pâte de verre, raku, sintering gold and silver clays, staining glass, and many other materials and processes.

Although smaller kilns are more economic for jewellery-making, you can still use most popular small-scale materials such as Accent Gold, Art Clay metal clays, BullsEye glasses, dichroic glasses, enamels, GlasClay, Image Transfer Solution, Metal Clay Veneer, PMC silver clay, Prometheus bronze clay, ProCopper clay, and SilverEtch.
And there's an increasingly diverse range of other metal clays, such as Cinter, Clay Mania, Creative, Goldie, Hadar Jacobson, Metal Adventures, Meteor, Noble, and PMC Sterling.

You can make architectural features, beads, bowls, bracelets, brooches, candle holders, chandelier components, decorations, figurines, fingerprint keepsakes, glass-art, glass panels, jewellery, knives, lampshades, miniatures, gun and model parts, necklaces, ornaments, pendants, plates, souvenirs, stained-glass designs, tableware, tiaras, tiles, tools, and vases, as unique hand-crafted pieces or repeatable stock for sale.


If you're not sure that an HT kiln is the right choice:

Glass kilns generally have a maximum temperature of 925°C. For these, look at the F Series, Fusion:CS Series, GL Series, or Pearl Series. These are not hot enough for ceramics.

Ceramics kilns generally have a maximum temperature of 1230°C to 1290°C. For these, look at the small Caldera Series, the medium Xpress Series, and the large Janus Series. These can also be used for glass work.

The 1095°C HT Series and 1290°C PMT Series look similar: except the HT kilns have bottom-hinged doors and the PMT kilns have side-hinged doors.

The KM Series are 1290°C knife-making kilns, made for depth rather than width. You can choose a standard drop-down door or a side-hinged door.


Some of the popular kilns are in the table below. To learn more about all the kilns, use the appropriate links above and below the menu bar near the top of the page.


KILN TYPE MAX °C POWER W WEIGHT KG FIRING CHAMBER INTERIOR SIZE MM
HT 10D square front-opening 1095 1692 36 firebrick 216 x 229 x 222
HT 14D square front-opening 1095 3120 66 firebrick 330 x 343 x 222
HT 22D square front-opening 1095 7200 158 firebrick 533 x 533 x 337
Caldera A top opening 1290 1800 20 firebrick 203 x 203 x 171
F 130 Elite front punty door 925 2400 103 firebrick 279 x 279 x 330
Fusion CS 16D lid and body top opening 925 2400 85 firebrick 406 x 406 x 165
GL 22ADTSD square front opener 1095 11000 158 firebrick 533 x 533 x 337
Janus 1613 round top-opener 1290 4800 90 firebrick 419 x 337
KM 24T front opening 1290 2600 63 firebrick 140 x 610 x 108
Pearl 22 square top opener 925 7200 146 firebrick 559 x 559 x 330
PMT 18 square front-opener 1290 6500 140 firebrick 330 x 457 x 330
Xpress E12A bead door or window 1290 2700 38 firebrick 216 x 305 x 222

Digital programmers allow you to set up sequences, each one with multiple heating, holding, or cooling segments: so you can choose the heating and cooling rates, target temperatures, and hold times, save the sequences, and re-use them.

Being able to create, edit, and save your own programmes is important because, having experimented and diversified, most people fire materials, or combinations of materials, at different temperatures and for different times than are recommended.


For help, or in the unlikely event of a fault, you can mail or call an engineer in the UK. However, checks, adjustments, and repairs are simple, needing little more than a PosiDriv screwdriver: watch the on-line videos using the watch-videos link or read the help pages using use the help link, both below the menu bar near the top of any page. Alternatively, we can service the kiln in our workshop at Cherry Heaven.


After looking at each kiln in detail, I'll introduce the appropriate accessories, options, and upgrades.

THE PARAGON HT10D HEAT TREATING, MAKING KNIVES, GLASS WORK, AND RAKU
Paragon HT10D Heat Treating Kiln. Paragon Sentry Digital Programmer. Paragon Sentinel Digital Programmer.

The Paragon HT10D For Heat-Treating Knives And Tools, Lampwork, And Annealing, Casting, Fusing, Sagging, And Slumping Glass.

The Paragon HT10D is a 1095°C, square, front-opening, table-top, firebrick furnace, with a ramp-hold Sentry 12-key digital programmer. Choose Paragon blue or customised berry, black, jade, navy, pink, purple, or turquoise.


The UK-EU kiln is rated at 230V-240V 1692W, so can use a regular mains socket. To comply with EU safety regulations, it's fitted with a switch that cuts off the power to the elements whenever the kiln is opened: an important safety feature. However, never get careless: kilns are very hot and connected to the mains.

The outer steel case measures 356mm x 457mm x 521mm high, is slotted for air circulation, and has an integral stand: so it keeps cool. The door is hinged on the bottom edge and counter-balanced so that it closes without the need for a catch. There's a peephole-vent with a move-aside cover. The shipping weight is about 36kg.

The firebrick firing chamber measures 216mm x 229mm x 222mm high internally, and heats from both sides and the back, with the fast-firing elements in dropped-recess grooves in the 64mm thick bricks. The kiln has an electro-mechanical relay and a nickel-chromium K-type thermocouple.

The programmer's electronic display prompts for heating rates, target temperatures, and hold times, making it easy to set up and re-use accurate heating, holding, and cooling sequences.


The accessories, options, and upgrades for this kiln are in the on-line shop:

List a berry, black, jade, navy, pink, purple, or turquoise respray: normally blue
List a programmer upgrade to include cone-fire for ceramics: factory fitted
List a programmer upgrade from a Sentry Xpress 12-key to a Sentinel Touch Screen: factory fitted
List a gas injection flow meter with a controlling solenoid: factory fitted: needs 12-key: factory fitted
List an electric kiln vent: factory fitted at the bottom
List an auxiliary power output for automatic vent control: factory fitted
List an RS232 computer interface: factory fitted
List a long-life mercury relay upgrade: factory fitted
List a long-life S-type platinum-rhodium thermocouple upgrade: factory fitted
List stacking shelf kits and shelf paper
List ceramic fibre cloth
List ceramic block
List HEPA dust mask
List clear protective glasses
List glare-resistant glasses
List heat-resistant gloves

And finally, my opinion:

The HT10D is a versatile, robustly made, fully programmable, high-temperature kiln, made for years of continual firing. It's ideal for heat treating, general glass work, and knife making. However, the HT-14, described below, is 2.29 times larger inside, so might be worth the extra cost.

THE PARAGON HT10D: KILN FURNITURE

The Paragon HT10D Kiln Furniture.

There's a recommended kit, not included in the price: one durable 178mm x 178mm x 15mm cordierite shelf and four 12mm shelf posts.

There's an extra recommended kit, not included in the price: one 178mm x 178mm x 15mm shelf and four posts. You can choose 12mm, 25mm, 50mm, or 75mm posts.

Depending on the material or process, and the sizes of your pieces, stacked shelves will hold more work, free up your time, and reduce the unit firing cost: so you might want more kits. This kiln has room for three.

THE PARAGON HT14D HEAT TREATING, MAKING KNIVES, GLASS WORK, AND RAKU
Paragon HT14D Heat Treating Kiln Paragon Sentry Digital Programmer Paragon Sentinel Digital Programmer

The Paragon HT14D For Heat-Treating Knives And Tools, Lampwork, And Annealing, Casting, Fusing, Sagging, And Slumping Glass.

The Paragon HT14D is a 1095°C, square, front-opening, table-top, firebrick furnace, with a ramp-hold Sentry 12-key digital programmer. Choose Paragon blue or customised berry, black, jade, navy, pink, purple, or turquoise.


The UK-EU kiln is rated at 230V-240V 3120W, so can use a regular mains socket. To comply with EU safety regulations, it's fitted with a switch that cuts off the power to the elements whenever the kiln is opened: an important safety feature. However, never get careless: kilns are very hot and connected to the mains.

The outer steel case measures 464mm x 572mm x 521mm high, is slotted for air circulation, and has an integral stand: so it keeps cool. The door is hinged on the bottom edge and counter-balanced so that it closes without the need for a catch. There's a peephole-vent with a move-aside cover. The shipping weight is about 55kg.

The firebrick firing chamber measures 330mm x 343mm x 222mm high internally, and heats from both sides and the back, with the fast-firing elements in dropped-recess grooves in the 64mm thick bricks. The kiln has an electro-mechanical relay and a nickel-chromium K-type thermocouple.

The programmer's electronic display prompts for heating rates, target temperatures, and hold times, making it easy to set up and re-use accurate heating, holding, and cooling sequences.


The accessories, options, and upgrades for this kiln are in the on-line shop:

List a berry, black, jade, navy, pink, purple, or turquoise respray: normally blue
List a programmer upgrade to include cone-fire for ceramics: factory fitted
List a programmer upgrade from a Sentry Xpress 12-key to a Sentinel Touch Screen: factory fitted
List a berry, black, jade, navy, pink, purple, or turquoise respray: normally blue
List a gas injection flow meter with a controlling solenoid: factory fitted: needs 12-key: factory fitted
List an electric kiln vent: factory fitted at the bottom
List an auxiliary power output for automatic vent control: factory fitted
List an RS232 computer interface: factory fitted
List a long-life mercury relay upgrade: factory fitted
List a long-life S-type platinum-rhodium thermocouple upgrade: factory fitted
List stacking shelf kits and shelf paper
List ceramic fibre cloth
List ceramic block
List HEPA dust mask
List clear protective glasses
List glare-resistant glasses
List heat-resistant gloves

And finally, my opinion:

The HT14D is a versatile, robustly made, fully programmable, high-temperature oven, made for years of continual firing. It's ideal for heat treating, general glass work, and knife making. However, the HT-22, described below, is 3.81 times larger inside, so might be worth the extra cost.

THE PARAGON HT14D: KILN FURNITURE

The Paragon HT14D Kiln Furniture.

There's a recommended kit, not included in the price: one durable 305mm x 305mm x 15mm cordierite shelf and four 12mm shelf posts.

There's an extra recommended kit, not included in the price: one 305mm x 305mm x 15mm shelf and four posts. You can choose 12mm, 25mm, 50mm, 75mm, or 100mm posts.

Depending on the material or process, and the sizes of your pieces, stacked shelves will hold more work, free up your time, and reduce the unit firing cost: so you might want more kits. This kiln has room for three.

THE PARAGON HT22D HEAT TREATING, MAKING KNIVES, GLASS WORK, AND RAKU
Paragon HT22D Heat Treating Kiln Paragon Sentry Digital Programmer Paragon Sentinel Digital Programmer

The Paragon HT22D For Heat-Treating Knives And Tools, Lampwork, And Annealing, Casting, Fusing, Sagging, And Slumping Glass.

The Paragon HT22D is a 1095°C, square, front-opening, table-top, firebrick furnace, with a ramp-hold Sentry 12-key digital programmer. Choose Paragon blue or customised berry, black, jade, navy, pink, purple, or turquoise.


The UK-EU kiln is rated at 230V-240V 7200W, so it needs a 30A minimum wired-in power supply. To comply with EU safety regulations, it's fitted with a switch that cuts off the power to the elements whenever the kiln is opened: an important safety feature. However, never get careless: kilns are very hot and connected to the mains.

The outer steel case measures 953mm x 762mm x 584mm high, is slotted for air circulation, and has an integral stand: so it keeps cool. The door is hinged on the bottom edge and counter-balanced so that it closes without the need for a catch. There's a peephole-vent with a move-aside cover. The shipping weight is about 158kg.

The firebrick firing chamber measures 533mm x 533mm x 337mm high internally, and heats from both sides and the back, with the fast-firing elements in dropped-recess grooves in the 64mm thick bricks. The kiln has two electro-mechanical relays and a nickel-chromium K-type thermocouple.

The programmer's electronic display prompts for heating rates, target temperatures, and hold times, making it easy to set up and re-use accurate heating, holding, and cooling sequences.


The accessories, options, and upgrades for this kiln are in the on-line shop:

List a berry, black, jade, navy, pink, purple, or turquoise respray: normally blue
List a programmer upgrade to include cone-fire for ceramics: factory fitted
List a programmer upgrade from a Sentry Xpress 12-key to a Sentinel Touch Screen: factory fitted
List a gas injection flow meter with a controlling solenoid: factory fitted: needs 12-key: factory fitted
List an electric kiln vent: factory fitted at the bottom
List an auxiliary power output for automatic vent control: factory fitted
List an RS232 computer interface: factory fitted
List a long-life mercury relay upgrade: factory fitted
List a long-life S-type platinum-rhodium thermocouple upgrade: factory fitted
List stacking shelf kits and shelf paper
List ceramic fibre cloth
List ceramic block
List HEPA dust mask
List clear protective glasses
List glare-resistant glasses
List heat-resistant gloves

And finally, my opinion:

The HT22D is a versatile, robustly made, fully programmable, high-temperature furnace, made for years of continual firing. It's ideal for a heat-treating workshop, a commercial glass studio, or an engineering facility.

THE PARAGON HT22D: KILN FURNITURE

The Paragon HT22D Kiln Furniture.

There's a recommended kit, not included in the price: one durable 508mm x 508mm x 15mm cordierite shelf and four 12mm shelf posts.

There are two extra recommended kits, not included in the price: one 305mm x 330mm x 15mm shelf and four posts, or one 254mm x 508mm x 15mm shelf and four posts. You can choose 12mm, 25mm, 50mm, 75mm, 100mm, or 150mm posts.

Depending on the material or process, and the sizes of your pieces, stacked shelves will hold more work, free up your time, and reduce the unit firing cost: so you might want more kits. This kiln has room for four.

RECOMMENDED READING
General Help and FAQs For Kilns.

Kilns, Programmers, Kiln Furniture, Options, Upgrades, Firing, Kiln Logs, Accessories, Materials, Processes, And Tools.

The remaining sections are about digital programmers, shelf kits, options, upgrades, materials, and processes. Unless you're already successfully using a kiln, they're recommended reading.


Cherry Heaven has been a Paragon distributor since 2002, and commended every year for outstanding performance. Paragon kilns are good value: buy Paragons and you could save enough to treat yourself to a luxury five-star weekend break.

Anyone can buy a kiln to resell and call themselves a specialist, but a top-tier distributor understands all the kilns, options, and upgrades, will stock spares, offers free competent technical support, can help you repair your kiln, provide on-line repair videos, has a repair workshop, and can access Paragon's international, informed, and supportive user-base.

If you need help, you can mail an experienced technician or call . Alternatively, to learn more about how your kiln works, use the help link below the menu bar near the top of the page.

THE PARAGON SENTRY 12-KEY DIGITAL PROGRAMMER
Orton-Paragon Sentry Digital Programmer.

The Orton-Paragon Sentry Digital Controller.

The Paragon Sentry 12-key digital programmer allows you to set up nine firing sequences, each one with up to ten heating, holding, or cooling segments. You can choose the heating and cooling rates, target temperatures, and hold times, save the sequences, and re-use them. It also offers advanced and time-saving features, including optional automatic control over an electric kiln vent, a gas injection system, and a USB computer interface.

It's easy to use: far easier than a central heating programmer. Here's a Cherry Heaven TV programme about setting a simple ramp-hold sequence. The ramp is the part where the temperature increases until it reaches the target temperature: the hold is the part where the temperature stays the same. UK-EU programmers will be in degrees Celsius.


Cherry Heaven TV provides on-line radio and television programmes on the Cherry Heaven TV Player. To use the player, click the controls or drag the time-line slider or volume slider to a new position.


00:00  00:00
THE PARAGON SENTINEL SMART-TOUCH DIGITAL PROGRAMMER
Bartlett-Paragon Sentinel Touch Screen Programmer.

The Bartlett-Paragon Sentinel Touch-Screen Digital Controller.

The Paragon Sentinel Touch Screen digital programmer allows you to set up firing sequences, each one with up to thirty two heating, holding, or cooling segments. You can choose the heating and cooling rates, target temperatures, and hold times, save the sequences, and re-use them. It also offers advanced and time-saving features, including optional automatic control over an electric kiln vent, a gas injection system, and a USB computer interface.

It's easy to use: far easier than a central heating programmer. Here's a Cherry Heaven TV programme about using it. The ramp is the part where the temperature increases until it reaches the target temperature: the hold is the part where the temperature stays the same. UK-EU programmers will be in degrees Celsius.


Cherry Heaven TV provides on-line radio and television programmes on the Cherry Heaven TV Player. To use the player, click the controls or drag the time-line slider or volume slider to a new position.


00:00  00:00
KILN FURNITURE: A GENERAL INTRODUCTION IMPORTANT
A Paragon Kiln Shelf Kit.

Kiln Furniture: Shelves And Posts.

Most kilns have a recommended furniture kit. Delivery companies have a low rate for parcels less than 30kg so, for smaller kilns weighing less than 30Kg, the kit is generally one shelf and four posts: included in the price because it fits in the box and doesn't add much to the overall weight.

You get a professional, durable, cordierite shelf with four 12mm high posts. You don't get a soft, ceramic-fibre shelf, often described as free, that will gradually break up and need replacing.

Shelf kits for rectangular or square kilns usually include four 25mm x 25mm x 12mm shelf posts, When flat, they're 12mm high: on their sides, they're 25mm. Other sizes, up to 150mm high, are available, so you can choose the shelf spacing that suits your kiln and your work. Shelves for cylindrical kilns usually have three posts.

The recommended kit is usually the simplest that works: not an expensive collection that I've put together for you. However, extra shelf kits allow you to stack your work, optimising your use of the firing chamber volume, the unit-cost of firing, and your time. And extra half-shelves or smaller shelves allow you to fire a mix of shorter and taller pieces.


For larger kilns weighing more than 30Kg, shelf kits are not included in the price because you'll probably want to choose your own mix of shelves, half-shelves, smaller shelves, and assorted-height posts.


One shelf should stay on the floor of the firing chamber all the time in case you accidentally spill or melt anything: solidified glass or metal is impossible to pick off without damaging the ceramic-fibre or firebrick.

Shelves are not meant to be an exact fit in the kiln. You need finger space all round and they mustn't scrape the kiln walls every time they're put in or taken out. Be careful lifting heavy shelves out of a top-opening kiln: if you drop them they will damage the firebricks.

Although they look tough, most ceramics break if they're dropped on a hard floor, so it's a good idea to have spare shelves, especially if your business depends on your kiln or you're running courses.


During firing sequences with heating, holding, and cooling segments, the elements turn on and off repeatedly. In a small kiln, with little residual heat, the inevitable temperature changes can make glass crack as it expands and contracts. A thick heavy shelf stores heat and, because it's resting on posts, the air circulates, helping to even out the normal temperature fluctuations.


If you're buying your first kiln, you're probably interested in one material, such as silver clay, or one process, such as enamelling. However, after a few successes, and failures, most people want to try different materials, make larger pieces, experiment with combinations, fire more at a time, and soon become interested in something else: or everything else. Some start a business or run classes.

You might want a full shelf, two half-shelves, several mixed shelves, a set of shelf posts, a bead-mandrel holder, glass separator, hot gloves, kiln wash, a knife-making rack, pyrometric cones, a tile holder, or other accessories.

Shelves are heavy, so kits ordered separately need a box and protective packing and attract an extra delivery charge. Outside the UK mainland, this might be expensive. So, if you think you'll need them, order them with your kiln, along with any other accessories, materials, parts, or tools.


For dichroics, enamelling, and glass fusing, put kiln paper on the shelf to stop the glass sticking: it's simpler and cleaner to use than glass separator. Bullseye Thinfire shelf paper, probably the most popular, ensures easy separation between your glass and the kiln shelf. One side feels slightly smoother than the other: that's the glass side.

Generally, glasswork needs radiant heat and will fuse, sag, or slump better on one shelf than between closely stacked shelves, although experienced glass artists often use several shelves successfully.

Delicate pieces can be fired on a puffed-up ceramic-fibre cloth: on a shelf. Round pieces, that could roll to one side, can be fired on a hollowed-out ceramic-fibre block. However, if the kin has elements in the bottom as with the Mini-Kiln and Prometheus Pro-7, a cloth or block will act as insulator and the kiln might overheat.

Particulates represent a health risk if they're breathed in, so wear a HEPA mask when cleaning out your kiln, mixing kiln wash, and working with ceramic-fibre blocks, ceramic cloths, and papers. And, ideally, use protective glasses.

If you want to touch anything hot, or move your kiln before it's cooled off, it's important to wear heat-resistant gloves. And, if you want to look into a red-hot kiln, even briefly, wear glare-resistant glasses to protect your eyes from IR and UV.


If your day-to-day work depends on your kiln and down-time will be disruptive or expensive, it's a good idea to have spares: extra shelves, a selection of posts, elements, a relay, and a thermocouple.

You can learn about ceramic blocks and cloths, charcoal, dust masks, glare-resistant glasses, glass separator, heat-resistant gloves, kiln vents, kiln wash, programmers, protective glasses, USB interfaces, shelf paper, tools, and other accessories, using the accessories link below the menu bar near the top of the front page. And they're all in the on-line shop.


Shelves are checked before despatch and are wrapped protectively. But they're not guaranteed and we cannot be responsible for any later damage.

OPTIONS AND UPGRADES: A GENERAL INTRODUCTION
Paragon SC2 Jewellery Kiln: Hot Pink With A RH Door Hinge.

Options And Upgrades.

It's important to learn about options and upgrades now as some have to be factory-fitted. The photo shows a Paragon SC2 customised for a PMC silver clay studio: hot pink, a right-hand door hinge, and a maximum temperature set to 925°C so that students couldn't accidentally melt their silver.


An option is cosmetic or practical, such as a black respray, a right-hand door hinge, a peephole-vent, a bead-annealing door, a door or lid viewing window, or an EU plug.

An upgrade extends the standard specifications, such as a higher maximum temperature, a 3-key to a 12-key programmer, an electric kiln vent, a gas injection control system, an auxilliary power output, or a USB computer interface.

Not every option or upgrade applies to every kiln, so mail or call if you need help. However, if they're appropriate, they're listed in the on-line shop, so just add up the ones you want: but order them with your kiln as they're often difficult, expensive, or impossible, to implement afterwards. It might help if you make a few notes of your own as you read?


Kilns use regular single-phase 230V-240V mains so have 230V EU elements, not 120V US elements. The smaller kilns have UK 13A three-pin plugs: so they're ready to go. If you're not in the UK, use a plug adapter or cut off the UK plug and fit your own: it won't invalidate the guarantee. Alternatively, a special-order kiln can have a factory-fitted EU plug.

Most kilns can be re-engineered for 110V, 200V, 208V, or 220V, single phase or three phase, or 440V three phase. If you're interested, mail or call.


Although standard EU and US kilns have the same maximum temperature, set by the design and the programmer, some 1095°C firebrick kilns can be re-engineered to run at 1230°C, 1260°C, or 1290°C, making them versatile mixed-media kilns. However, to use 1290°C full-on hour after hour, choose an industrial or professional model.

Also, to maintain 1290°C, some upgraded kilns might need thicker firebricks, so they'll be slightly smaller inside: about 12mm on each side. Mail or call if you're interested, or need help deciding.

The UK factory-set maximum temperature is based on a reliable average voltage of 240V. If there's a regional, national, or temporary voltage drop, high-temperature kilns might take longer to reach their specified maximum or not reach it.


Some kilns are normally blue, but can be factory-painted berry, black, jade, navy, pink, purple, or turquoise. However, as they're made to order, they can't be returned if the colour isn't exactly the same as in the photo.

Changing the door hinge might be better if your kiln is in the corner of your studio or there's an obstacle that will make access difficult. Give this some thought.

Most of the medium-size top-opening kilns have a standard lift-up lid. Firebrick lids seem heavy to some people so, if you feel that a ceramic fibre lid, a hydraulic-assisted lid, or spring-assisted lid would be easier, mail or call.


If the kiln comes with a Sentry Xpress 3-Key ramp-hold programmer, you can upgrade to a Sentry Xpress 3-Key cone-fire ramp-hold programmer, usually preferred for ceramics. Cone-fire is implemented in the programmer's software and is very easy to use: just set a cone number and start the firing sequence.

Depending on the kiln, you can upgrade a Sentry Xpress 3-key programmer to a Sentry 12-Key ten segment ramp-hold, or cone-fire ramp-hold, programmer, with advanced firing features and connection options. The 3-key has a 12-month guarantee and the 12-key has a 30-month guarantee.

A Sentry 12-key programmer can be connected to your computer through a factory-fitted USB interface. The Control Master software allows you to control and monitor the firing, and analyse, arrange, print out, and save the data. If you want this feature, make sure you order the USB interface in the on-line shop.


Depending on the kiln, the 12-key programmer has a power-ratio feature: you can adjust the heat balance between the top and sides in 10% steps and control the heat distribution over larger pieces.

Kilns which only heat from the top, as opposed to the top and sides, don't have the power-ratio feature. However, the initial cost-saving has to be offset against fewer firing options.


With larger kilns, serious glass artists are always concerned about firebrick dust from the lid falling onto their work, so you could upgrade the standard firebrick lid to a factory-fitted ceramic-fibre lid with the elements threaded through pinless grooves in the fibre: or, as a luxury upgrade, with the elements completely embedded in the fibre.


Most kilns come with an electro-mechanical long-life nickel-chromium K-type thermocouple. However, if extra long-life and reliability are vital, you can upgrade to a mercury relay which has a lifetime of several million on-off cycles. The relay can switch 30A, so if you have a kiln that needs 50A, you'll need two relays.

If extra long-life and reliability are vital, especially at temperatures above 1100°C, you can upgrade to a long-life S-type platinum-rhodium thermocouple.


Some front-opening kilns are just too large and too heavy for a regular worktop, so Paragon makes a strong steel table, 768mm x 768mm x 718mm high, with two shelves for your accessories. The luxury version, with castors, is 63mm taller. If you decide to buy on old wood table, the rigidity of the legs is vital otherwise it will collapse like a parallelogram.


Some bronze and copper clays, and some metals, need to be fired in activated charcoal granules in a stainless steel container. The SC2 and SC3, the Caldera-A, and the Xpress E9A and E10A can hold a one-litre container: most other kilns can hold a three-litre but check the internal size before you buy the container. It's important that the container doesn't touch the thermocouple.

Particulates represent a health risk if they're breathed in, so wear a HEPA mask when cleaning out your kiln, mixing kiln wash, and working with charcoals, ceramic-fibre blocks, cloths, and papers. And, ideally, use protective glasses.

If you want to touch anything hot or move your kiln before it's cooled off, it's important to wear heat-resistant gloves. And, if you want to look into a red-hot kiln, wear glare-resistant glasses which protect your eyes from IR and UV.


Paragon kilns, made in the US, have been re-engineered and comprehensively tested for the UK, the EU, and most other countries. They're CE Marked and comply with EU safety standards. They're guaranteed for a year, and Paragon has an international, informed, and supportive user-base, and spares and repair centres.

The UK-EU digital programmer shows degrees Celsius, not degrees Fahrenheit as in the US. If you need to convert, this is how to do it. However, if you want to work in Fahrenheit, you can make a simple change to the programmer.


For help, or in the unlikely event of a fault, you can mail or call an engineer in the UK. However, home checks, adjustments, and repairs are quick and easy, needing little more than a PosiDriv screwdriver, and you can watch on-line videos. Alternatively, we can repair the kiln in our workshop at Cherry Heaven.

As with a lot of heavy consumer products made in the US but sold elsewhere, Paragon's guarantee covers replacement parts, not a return to the distributor or factory, and not any labour costs. However, as an example, replacing a programmer takes just a few minutes.

AN ELECTRIC KILN VENT
Paragon-Orton VentMaster: Unassembled

The Orton-Paragon Vent Master Kiln Vent.

Refreshing the air in a kiln minimises surface blemishes when firing clays, ensures brighter colours when firing glasses, and prevents colour contamination when firing different glazes.

A factory-fitted Paragon-Orton Vent Master removes airborn pollutants straight away and redirects them to the outside through a flexi-pipe. The kilns can be factory-readied, so the vent just needs on-site assembly.

The vent motor isn't so powerful that the heat-up time and maximum temperature are reduced, but the cooling time is, depending on the size of the kiln.


The UK-EU vent motor is rated at 230V-240V 132W, so it can use a regular mains socket. The suction cup and pipe are attached to the kiln but the motor can be remote: it doesn't get hot and the fan is easy to clean.

There's always a small gap, for expansion, around any kiln door or lid, so enough new air can be drawn in to replace the old air being drawn out. However, peepholes act as straight-through cold-air inlets: so you might not want them or block them with some ceramic cloth?

The vent can be turned on and off manually. Alternatively, if the kiln has a Sentry or a Sentinel programmer, the vent can be plugged into the kiln's auxilliary power outlet and controlled by the programmer. The power outlet has to be fitted during manufacture, so decide before you order.


As with Paragon kilns, Orton Vent Masters can be re-engineered for any electrical system. They conform to the demanding 1992 Uniform Mechanical Code and the UL standard, and are CE Marked for the EU. They have a two year limited warranty.

A GAS INLET FLOW METER
The Paragon Gas Inlet Flow Meter.

The Paragon Gas Inlet Flow Meter.

During heat treating, oxygen forms a scale on the surface of knife blades, metals, and tools. To minimise this, the parts can either be wrapped in heat-treating foil or an inert gas can be injected into the furnace to displace the oxygen.

Most professional knife makers use gas injection for precise control and to save time. If you have a Sentry or a Sentinel Touch Screen programmer, a solenoid kit can automatically turn the gas on or off for each segment of the firing: just programme the controller to turn on the gas at the temperature where scale begins to form on the steel.


In addition to the flow meter, you'll also need a regulator to reduce the pressure from the gas tank. This is usually bought with the gas tank: it's not part of this Paragon option. The gas pressure to the flow meter should be less than 20 pounds per square inch.

Furnaces aren't air tight and gas will leak out through the firebricks and metal seams, so you need a steady flow of gas. Gas at room temperature will expand to over twenty times its volume when injected into a firing chamber at 550°C, so a low setting on the flow meter is adequate to prevent most scaling.


Depending on how you work, gas injection might reduce the life of the heating elements slightly. However, they're easy and inexpensive to replace. If your business depends on continual kiln time, buying a spare set of elements would be sensible.

Argon gas is popular for heat treating because it's inexpensive. But, it's heavier than air and breathing it in won't keep you alive. so your workshop must be well ventilated.

FIRING CHARACTERISTICS

How Electric Kilns Work.

Generally, as soon as a programmable kiln starts its firing sequence, it begins to heat up at a rate set by the programmer. It can't heat up quicker than it would do with the elements full on all the time.

The thermocouple tells the programmer the current internal temperature and, depending on the sequence you've chosen, the programmer turns the elements on or off to control the sequence segments: the heating rate, the target temperature, the hold time, and the cooling rate. It can't cool down quicker than it would do with the kiln turned off. When the sequence is complete, the kiln beeps, and the sequence stops.


For safety, the programmer doesn't switch the full mains voltage. Instead it drives a relay, an electro-mechanical switch. The programmer uses a low voltage to activate the switch which turns the high-voltage high current-elements on or off.


When the target temperature is reached, the programmer switches the elements off. However, residual heat in the firing chamber allows the internal temperature to overshoot the target temperature briefly before starting to fall back.

This overshoot is more evident at low temperatures than at high temperatures, and in small kilns rather than large kilns. For example: 300°C will probably overshoot to 350°C whereas 800°C will probably only overshoot to 805°C before starting to fall back.

However, our Sentry Xpress programmers have a software modification that slows down the heating just before the target temperature, reducing any overshoot and improving the accuracy.

During the hold-time, with the elements still off, the temperature starts to fall. When the programmer switches the elements back on, the firing chamber will initially absorb some of the new heat before the temperature recovers. The continual switching of the elements on and off causes the internal temperature to oscillate either side of the target temperature.

This is similar to central heating. If you set it for 21°C, it probably oscillates, quite slowly, around 20°C to 22°C: and you won't notice. The accuracy will depend on where the thermostat is sited, how quickly it responds, how accurate it is, how long it takes for the radiators to heat up, and if you have doors and windows open. The temperature will probably be different in each room.

So, regardless of the thermocouple temperature, the actual temperature of your work will be slightly different, depending on its position on the kiln shelf, the vertical spacing of any stacked shelves, and its nearness to the elements, a lid, a door, a bead door, or a window. Learn to take this into account if you're working with temperature-critical materials or processes.


Remember that glass needs radiant heat and will fuse, sag, or slump better on one shelf at the bottom than between closely stacked shelves.


Kiln doors and lids are not meant to be a perfect fit otherwise, at high temperatures, there'd be no room for expansion and movement, and the door could stick and the ceramic-fibre or firebricks could crack.

All kilns smell a bit, and even produce whisps of smoke, during the first firings, just like a toaster or a fan heater. If you're worried about fumes, open a window.

Eventually, with normal use, kilns discolour slightly, inside and outside, and some firebricks might develop hairline cracks. Your kiln is a versatile, robust, red-hot tool: not an ornament.

KEEPING A KILN LOG

Keeping A Kiln Log.

Using your kiln successfully needs critical research and frequent tests, especially as things that work for your friends and teachers might not work in the same way for you. It's also very important to learn how to creatively use unexpected effects. So, keep a firing log:


Buy a durable notebook. Use a new page for every firing, and draw diagrams of the shelves, their vertical spacing, and the position of your work on the shelves. Along with your work, put a few scraps at different places on the shelves to learn how things change. Describe the material, the shape of your work, the firing cycle, and the end result. Add a few photos and sketches, and mark the page corners with coloured dots or symbols as a quick reminder of your success rating.

A kiln log is vital if you're experimenting with temperature-sensitive materials or working with metals, coloured dichroic glasses, enamels, glazes, or china paints, and a skilled artist will use the kiln log to advantage to re-create effects. It'll be particularly useful if you have to repeat a commission, or you have a long holiday before returning to your studio.


Some Paragon kilns have a Sentry 12-key or a Sentinel Touch Screen programmer which can be connected to your computer through a factory-fitted USB interface. The Control Master software allows you to control and monitor the firing, and analyse, arrange, save, and print out the data. If you want this feature, make sure you order the USB interface in the on-line shop.

A BRIEF INTRODUCTION TO MAKING KNIVES
Knife Blade. Knife Blade Supports. 321 Stainless Steel Foil. Kitiki Heat Resistant Gloves.

Steels And Knife Making

Steels are alloys of iron and carbon, generally described as mild steel, medium-carbon steel, or high-carbon steel, according to the percentage of carbon. Adding other elements such as chromium, manganese, nickel, tungsten, and vanadium change the characteristics of the metal.

There are over 3500 types of steel, most of which have been developed during the last 25 years. If the Eiffel Tower were to be built today, it would only need one-third of the steel that was originally used.

Making knife blades involves many different types of high-carbon steel and a series of forming, heating, cooling, and finishing processes. Knife-making kilns come with a heat treating manual, although professional knife-makers usually adapt the processes and develop their own techniques.


During heat treating, oxygen combines with the steel to form a scale on the surface of the blades. To minimise this, they're either wrapped in heat-treating foil or an inert gas can be injected into the furnace to displace the oxygen.

Some knife-makers use 321 stainless steel foil to wrap the blades, mimicking a vacuum furnace. The foil needs to be removed before quenching the steel in oil.

Others use a water-based coating. The steel part can be painted, sprayed, or dipped then allowed to dry before beginning the heat treatment. On cooling, it will crumble off and the steel parts can be rinsed clean under water. It's important to ensure that parts are clean of oil and greases before applying the coating.

Most professional knife makers use a kiln with gas injection for precise control and to save time. The Sentry 12-key and the Sentinel SmartTouch programmers can use an additional solenoid kit which can automatically turn the gas on or off for each segment of the firing: just programme the controller to turn on the gas at the temperature where scale begins to form on the steel.

Argon gas is popular for heat treating because it's inexpensive. But, it's heavier than air and breathing it in won't keep you alive: so your workshop must be well ventilated.

HARDENING STEEL

Hardening Steel

Steel is already hard, but can be made much harder by heating it to a hardening temperature and them soaking it at that temperature. The temperature and time depend on the steel and the result you want. Hardness is measured using Rockwell testing.

QUENCHING

Quenching Steel

After hardening, steel is quenched by cooling it in air, water, or oil, otherwise the steel would lose most of its hardness. The way in which quenching is done is vital.

TEMPERING

Tempering Steel

After quenching, most steel is tempered, another heating and cooling process, to relieve stresses, otherwise it can be too brittle for repeated use.

A BRIEF INTRODUCTION TO CLAYS
Natural Clay.

What Is Clay?

Clays are formed naturally over millions of years as rocks break up into minute particles. They consist of hydrous aluminium silicates and other compounds such as feldspar, iron oxides, mica, and quartz. Clays are collectively referred to as ceramics.

Clays are often divided into three main categories: earthenware, porcelain, and stoneware. Generally, they needs to be fired for several hours, although the exact chemical composition affects the firing temperatures and times, and the clays' colour, porosity, shrinkage, and strength.

EARTHENWARE, PORCELAIN, AND STONEWARE
Earthenware Flower Pot.

What Are Earthenware, Porcelain, And Stoneware?

Earthenware is normally beige, red, or white. It has the lowest firing temperature of the three, usually about 1150°C. It's slightly porous, and stains and chips easily, so it's often glazed to protect the surface. Its porosity means it's good for making planters and oven steamers, but not good for jugs or vases.

Porcelain is composed of kaolin, or china clay. Kaolin doesn't melt until 1800°C, so other compounds are usually added so it can be fired between 1250°C and 1400°C. For example, bone china is made by adding bone ash to the clay. It's known for its whiteness, hardness, smoothness, durability, and translucency. When tapped, it makes a distinctive ping: or ming.

Stoneware is normally beige, grey, or red-brown. It's usually fired between 1150°C and 1300°C. It's hard, durable, and resists thermal shock. Glazes bond well, so it can be made waterproof.

BISQUE
Bisque.

What Is Bisque?

Bisque is clay which has been fired once, without a glaze, to a temperature just before vitrification. Firing changes the clay into ceramic material, without fully fusing it. A second, slower, firing melts the glaze and fuses it to the clay body.

POLYMER CLAY
Polymer Clay Flowers By Olga Zhukova.

What Is Polymer Clay?

Polymer clay is a man-made material: tiny particles of polyvinyl chloride mixed with plasticisers and pigments. When it's baked, at around 125°C, the particles fuse and the clay hardens.

RAKU
Raku.

What Is Raku?

Raku was originally a Japanese technique, but it's now become an internationally popular way to make decorative ware, with each piece having a unique blend of colours.

A bisque piece is fired to about 950°C, then glazed. It's removed from the kiln when red-hot, and put straight into a container of combustible material.

The flames, reducing atmosphere, and mix of chemicals stain the clay. When the piece is removed and quenched in cold water, interesting colours and shades remain: often unpredictable.

A BRIEF INTRODUCTION TO GLASS
Obsidian.

What Is Glass?

The main component of glass is silicon dioxide, often called silica: found naturally and plentifully as sand. When it melts, at around 1700°C, it's like syrup on a cold day. When it cools, it forms a rigid brittle glass called quartz glass.

To lower the melting point, and reduce the cost of melting, chemicals are added: typically sodium carbonate and calcium oxide. Other chemicals, and different heating and cooling processes, produce a range of colours and mechanical properties.

Chemically, glass is defined as an amorphous solid but, as it's heated, it becomes softer allowing it to be blown, cast, coated, decorated, engraved, heat-treated, moulded, poured, pressed, sagged, and slumped.

A form of glass occurs naturally within the mouth of a volcano when the intense heat of an eruption melts sand to form Obsidian, a hard black-to-brown glassy type of stone, shown in the photo. Although it was used decoratively, when it fractures it has very sharp edges, many times sharper than a steel knife-edge, so was also used for tools and weapons, and the pitiful rituals of circumcision and female genital mutilation.

ANNEALING
Annealed Beads Made Into A Necklace.

What Is Annealing?

During annealing, fabrication stresses are relieved as the molecules cool and arrange themselves into a regular stable matrix. Successful annealing is the key to creating glasswork that will remain attractive and durable. It's quite a long process, so a kiln with an automatic comprehensive programmer is essential.

DICHROIC GLASS
Dichroic Glass.

What Are Dichroic Glasses.

Dichroic glass has two different colours: a transmitted colour and a reflective colour, both of which change depending on the angle of view. For example blue-red will be blue in transmission and red in reflection.

During manufacture, quartz and metal oxides are vapourised onto the surface of the glass using a vacuum deposition process, forming a multi-layer crystal structure.

ENAMELLING
Enamelled Jewellery.

What Is Enamelling?

Enamelling involves applying a glass paste to metal and then heating it to fuse it to the surface. The finish of the enamel can be translucent or opaque depending on the temperature used to melt the glass. Higher temperatures result in a more transparent and durable enamel whilst lower temperatures give a more opaque and fragile surface. Dyes and pigments can be included to produce any colour.

FIRE POLISHING
Fire Polished Glass.

What Is Fire Polishing?

To fire polish glass, return the items to the kiln and melt them just enough to give a smooth polished appearance. It needs a temperature of around 700°C, and is often used to round the edges of glass after fusing.

Fire polishing already-slumped items is more difficult because the polishing temperature is close to the slumping temperature and it can distort the appearance of the piece. So it generally works best for flat items, rather than slumped ones. It has the slight limitation that the part of the item that touches the kiln shelf won't polish.

FUSING, SAGGING, AND SLUMPING
Fused Glass.

What Is Glass Fusing?

If two or more pieces of glass in contact are heated, they begin to soften and fuse together. With careful heating and cooling, the separate pieces of glass become one.

If glass is put on a mould and heated, it begins to soften and collapse, or sag, onto the mould: a common technique for making bowls and plates.

Sagging and slumping are often thought of as being the same. Correctly: during sagging, heated glass, supported at its edges, sags down in the middle to conform to a mould; during slumping, heated glass, supported at its middle, slumps down at its edges to conform to a mould.

LOST-WAX BURNOUT
Paragon W13 Lost Wax Casting Kiln With A Sentry 12-Key Programmer.

What Is Lost Wax Casting?

The lost wax burnout and casting process starts with making a wax shape and then making a mould of the shape. When the mould is heated, the wax melts out through channels, called sprues, usually over a wax-burnout grid and into a tray. The shape is then cast in glass or metal from the mould.

It's important to prevent wax or carbon from contacting the kiln’s walls and elements. Carbon build-up inside a kiln ruins the interior. Carbon conducts electricity and causes elements to short circuit.

SLUMPING BOTTLES
Slumped Bottle.

What Is Glass Slumping?

This a simple technique but it requires good ideas. A bottle, such as those used for wine, beer, cola, or champagne, is softened in a kiln so that it begins to flatten out or conforms to a mould. There are too many moulds to stock here but there are lots available on line. Or make your own from clay.

The bottles need to be clean and dry, with all paper labels and tops removed. Put them in your kiln on a shelf, either with shelf paper or kiln wash to prevent the glass sticking to the shelf. Paragon make a kiln designed for this: the Trio. It's wide enough for most bottles but can still use a regular socket.

LAMPWORK AND BEADS
Beads.

What Is Lampwork?

Lamp-working is the traditional name for glasswork that uses a flame to melt glass rods and tubes. As the glass softens, it's shaped by turning and using tools.

Early lampworkers used an oil-lamp, and blew air into the flame through a pipe. Later, propane, natural gas, or butane torches replaced the lamp, although kilns are now increasingly popular, particularly for annealing.

Beads are usually made on steel rods, or mandrels. When the beads are finished, the rods are removed leaving holes for threading the beads. Cold working techniques can be used, such as etching, faceting, polishing, and sandblasting.

PÂTE DE VERRE
Pâte De Verre.

What Is Pâte De Verre?

Pâte de verre involves making a glass paste, applying it to a mould, firing it, and removing the piece from the mould. The glass paste is usually made from glass powder, a binder such as gum arabic, distilled water, and colouring agents or enamels. It allows precise placing of colours in the mould, whereas other techniques often result in the glass straying from its intended position.

I think, currently, Daum is the only large commercial crystal manufacturer using the pâte de verre process for art glass and crystal sculptures.

TACK FUSING
Tack Fused Glass.

What Is Tack Fusing?

Tack fusing is the joining together of glass, with as little change to the shape of the pieces as possible. Tack fusing may be used either decoratively, or to assemble a large piece of glass from laminations.

Where tack fusing is used to apply small decorative details to a larger piece, you might want to partially melt the small pieces so that they change shape, usually becoming more spherical under the influence of surface tension, but without changing the shape of the carrier piece. This can be done by using an increased temperature, but only briefly. The carrier piece has a larger thermal mass, so heats up more slowly than the small decorations.

VITRIGRAPH WORK
Glass Stringers.

What Is Vitrigraph?

Vitrigraph uses a Caldera-A kiln to make glass stringers. The bottom of the kiln is unclipped and set aside. The kiln body is put on a thick ceramic square with a central hole. The whole thing is lifted well away from the floor to allow moulten glass to fall through a small hole in a crucible and form long stringers. Ceramic squares are in the on-line shop.

WARM GLASS

What Is Warm Glass?

The term warm glass refers to fusing, slumping, and other glass processes which take place at temperatures between about 600°C to 925°C. Although that doesn't sound warm, it is when you compare it to glassblower's working temperatures, which often exceed 1100°C. Warm glass is sometimes called kiln-formed glass.

Paragon Kilns UK Distributor.
Paragon HT10D Heat Treating Furnace With A Sentry Digital Programmer.

Paragon Kilns, Furnaces, and Ovens For Annealing, Beads, Ceramics, Enamels, Glass, Jewellery, Knives, Lost Wax, Silver Clay, Heat Treating, Lampwork, And Porcelain.

is a Cherry Heaven internet resource. It's a top-tier international distributor for Texas-made Paragon kilns, furnaces, ovens, accessories, and tools, and has been one of their top-selling partners from 2006 to : a pleasing outcome since the UK is only one third the area of Texas and one fortieth the area of the US.

As this is an on-line resource, there isn't a paper catalogue or a price list. However, you can mail or call a technician about kilns, power supplies, public area safety, a special project, business ideas, diagnostics, repairs, or reselling opportunities.


Art Clay UK. Cherry Heaven. Electric Kilns. Electric Tumblers. Euroversity. Kitiki. Learning English. Lucas Cameron. Mini Kiln. Oxford English. Oxford English Training. Paragon Kilns International. Paragon Kilns UK. Paragon Kilns DE. Paragon Kilns EU. Professor English. Prometheus Kilns. Paragon Kilns UK. Accent Gold. Accessories And Tools. Art Clay Silver Clay.Radio Programmes. Paragon BlueBird Bead-Annealing Kilns. Bronze Clay. Paragon Caldera Ceramics Kilns. Paragon Catalogue Ceramics. Copper Clay. Silver Clay Courses. Sentry Xpress Demo Sentry Demo. Photos Of Dorset. Paragon Dragon Ceramics And Glass Kilns. Radio Programme. Frequently Asked Questions. Paragon FireFly Ceramics Kilns. Paragon Fusion Glass Kilns. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. TV Programme. Paragon F LampWorking Kilns. Glass. Paragon GL Glass Kilns. Kiln Help. Paragon Home Artist Kilns. Paragon HT Heat-Treating Kilns. Demos. Image Transfer Solution. Paragon Janus Ceramics Kilns. Paragon KM Knife-Making Ovens. Contact By Mail. West Holme Map. Metal Clay Veneer. Paragon Caldera Ceramics Kilns. Paragon E12T Ceramics Kilns. Paragon SC2 Metal Clay Kilns. Paragon Pearl Glass Kilns. Kiln Photos. Paragon PMT Heat-Treating Furnaces. Programmers. Paragon SC Jewellery Kilns. Silver Etch. Paragon Kilns Shop. Paragon TNF Ceramics Kilns. Paragon Trio Slumping Kiln. Tumblers And Polishers. TV Programmes. Paragon Vulcan Crucible And Glass Kilns. Paragon W Jewellery Kilns. Paragon Xpress Ceramics Kilns.


UK To EU Plug Adapter.
Ceramic Block.
Ceramic Cloth.
EU Plug.
UK-EU Adapter.
Dry Powder Extinguisher.
Glare Resistant Glasses.
HEPA Mask.
heat-resistant Gloves.
Kitiki Cutters.
Kitiki Flush Cutters.
Kitiki Flat-Nose Pliers.
Kitiki Pointed-Nose Pliers.
Kitiki Bent-Nose Pliers.
Kitiki Round-Nose Pliers.
Protective Glasses.
Potter & Brumfield Relay.
Dorset, SW England.
UK 13A Plug.
The AX-4 Digital Controller.
MiniKiln Closed.
Prometheus Pro-7.
Bartlett-Paragon Touch Screen Digital Controller.
Paragon BlueBird Bead Annealing Kiln.
Lauscha by Carrie Fertig.
Activated Charcoal Granules.
Paragon Caldera Digital Ceramics Kiln.
Paragon Caldera Digital Bead Kiln.
Paragon Fusion CS14D Glass Kiln.
Paragon Fusion CS14SB Glass And Bead Kiln.
Paragon Caldera XL Ceramics Kiln.
Paragon F500 Lampwork Kiln.
Paragon FireFly A Ceramics Kiln.
Paragon Fusion 7 Glass Kiln.
Paragon Fusion 8 Glass Kiln.
Paragon GL18ADTSD Glass Kiln.
Paragon HT-14D Heat Treating Furnace.
Paragon Janus 1613 Ceramics Kiln.
Paragon KM18D Knife Making Oven.
Paragon-Orton Vent Master: Unassembled.
Paragon-Orton Vent Master: Suction Cup.
Paragon Pearl 18 Glass Kiln.
Paragon PMT21 Heat Treating Kiln.
Stainless Steel Pans.
Paragon SC-2 Black Jewellery Kiln.
Paragon SC2 Jewellery Kiln.
Paragon SC2B Bead-Door Kiln.
Paragon SC2W Enamelling Kiln.
Paragon SC4 Glass Kiln.
Paragon SC2BW Jewellery And Bead Kiln.
Paragon SC2D Pro-3 Jewellery Kiln.
Paragon SC2 Shelf Kit.
Paragon SC-2 Jade Jewellery Kiln.
Paragon SC-2 Black Jewellery Kiln.
Orton-Paragon Sentry Xpress Digital Programmer.
Orton-Paragon Sentry Digital Programmer.
Bartlett-Paragon Sentinel Touch-Screen Controller.
Paragon SC-2 Pink Jewellery Kiln.
Paragon SC-2 Pro Black Jewellery Kiln.
Paragon SC-2 Turqoise Jewellery Kiln.
Paragon SC-2 Purple Jewellery Kiln.
Paragon SC-2 Navy Jewellery Kiln.
Paragon SC-2 Berry Jewellery Kiln.
Paragon ST-8 Kiln Table.
Paragon ST-8 Kiln Table With Casters.
Paragon TNF 1613 Ceramics Kiln.
Paragon GL24 Kiln Table.
Paragon Xpress 1613 Top Row Of Bricks.
Paragon Lost-Wax Burnout Tray.
USB Plug.
Paragon Xpress E-12A Jewellery Kiln.
Paragon Xpress E-12AB Bead Kiln.
Paragon Xpress E-14 Glass Kiln.
Paragon Xpress Q-11A Ceramics Kiln.